First I am a writer. My creation of mandalas, altered books, and mixed media assemblages grew out of that profession, and out of my practice of mosaic collage which has been evolving for more than a decade. Practically speaking, materials and my enjoyment of experimentation inspire me to pursue particular projects.
More profoundly, I am compelled by consistent conflicting energies in my personality, by my deep respect for the act of creation as a holy endeavor, and by the feeling of completeness and inner strength that come to me through the making of art. I am a fierce champion and great appreciator of the handmade. To personally create a piece that possesses its own original honesty and beauty takes me beyond the ephemeral experience of fun (indeed, the work is often tiring and tedious) to a more durable state of joy.
I work with materials salvaged and collected from nature, the street, demolition sites, thrift stores, and with papers I have salvaged or bought. These materials include old art calendars and catalogues, used books, rusted metal, pressed flowers and leaves, roots, bark, sticks, beads, and unidentified interesting small objects. My tools are scissors, pencil, eraser, art pens, ruler, tweezers, exacto knife, sewing needle, punching tool, knitting needles, pliers, screwdrivers, and a large heavy-duty stapler. I also use a fair amount of white glue, PVA, craft glue, and polyurethane varnish. The main part of my collage process involves a sophisticated development of the scissors-and-paste method I learned in kindergarten.